an antic production that is droll, full of heart, and wonderfully accessible. … As Estragon, Christopher Prentice captures the madness and the desperate hope of the wait for Godot in each, cleanly articulated movement and line. Forever tormented by shoes that don’t fit and a best friend who alternately enrages and invigorates him, Prentice’s Gogo is everyman banished to a nightmare twilight zone. … Both are excellent physical comedians, but they never let the slapstick overbalance the universal emotions at the core of their characters. … Godot remains a maddening mystery. But there’s no mystery to Signal’s mastery of Beckett’s seminal drama.
Catey Sullivan
